For musicians, first
You send footage.
We send back posts.
Symphony Studio makes social content for musicians. Send us an hour of raw footage and we send back finished Instagram Reels, TikToks, carousel slides, and captions. Ready to post, in your voice.
Give us an hour of studio footage or a night of live video. You get back a month of finished Reels and TikToks, plus the slides and captions to run alongside them. Nothing to edit. Nothing to write.
How it works, plainly
The trade
One upload in. A month of postable content out. You stay the editor of record, and nothing goes live until you say so.
You send
- ▸An hour of raw studio or session footage
- ▸Live show video, phone clips, tour B roll
- ▸The songs you want it scored to
- ▸Five of your own posts, so we learn your voice
You get back
- ▸12 to 15 Instagram Reels and TikToks, cut and captioned
- ▸Carousel slides pulled from the same footage
- ▸Captions written in your voice, per post
- ▸Long-form text posts for Facebook and newsletters
Where it goes
Built for Reels and TikTok
Video is the hard part, and it’s the part that travels, so that’s where most of a drop goes. Slides and written posts ship alongside it.
Instagram Reels
Vertical video
The main event. 15 and 30 second cuts, 9:16, scored and captioned.
TikTok
Vertical video
Same cuts, paced and hooked for a colder audience that does not know you yet.
Instagram Carousels
Slides
Full-resolution stills from the same shoot, sequenced as a swipe post.
Facebook and long-form
Written posts
The longer story behind a show or a song, written the way you would tell it.
The problem
One shoot.
Four accounts.
No team.
Every working musician has the same archive: hours of raw video on a drive, a catalog of finished songs, and no time to turn one into the other.
The footage isn’t the problem. Cutting it vertical, scoring it, finding the fifteen seconds that hold attention, writing something that sounds like you, then doing it again four times a week across four different pages: that’s the job. At label tier it’s somebody’s actual title.
Studio does that work at a price a working artist can absorb. You stay the editor of record. Nothing goes out that you didn’t choose.
In every drop
What ships
A whole set to try, built out of your own catalog, so you learn what lands before your main account commits to it.
Trial-ready reels
12 to 15 vertical cuts per drop at 15 and 30 seconds, synced to your audio, framed 9:16 for Reels, TikTok, and Shorts.
Hook variants
Five on-screen hook options per concept, so you can test what lands before you commit your main account to one.
Lyric syncs
Your lyrics timed to the track, appearing line by line or word by word as the song plays.
Clean versions
Every cut also ships with no text burned in, so you can drop your own copy on top.
Captions in your voice
We build them off your past posts. What you have already written tells us more than any description of your style could.
Swipe slides
Full-resolution stills pulled from the peaks of the set, sequenced as a carousel.
Section chops
One song split into verse and chorus segments. One edit becomes a week of trial reels.
An ideas template
A blank template with the next round of concepts written out, so you can keep going without us.
The part you can’t do alone
We build your other accounts
Nobody breaks through on one page anymore. Labels run a network: the artist account, the archive, the niche pages that pull listeners in before they know your name. We build for every lane and hand you the plan to run them.
Your main account
01The posts you would have made anyway, done properly. Performance cuts, lyric edits, and the moments you'd want to keep.
The archive page
02A dedicated page for the deep catalog: live clips, unreleased snippets, crowd moments. All the stuff your main account shouldn't be cluttered with.
Aesthetic pages
03Pages built around a niche instead of around you. Nature, small-town Americana, whatever world your songs already live in. Your music is the recurring soundtrack, and listeners show up for the theme before they know your name.
Discovery pages
04Genre pages where you're one of a rotating cast of artists. The audience comes for the scene, and you're always in the lineup.
Every page we help you build says who runs it. We don’t invent fake personas, and we don’t fake comment threads between your own accounts.
The process
Four steps. You’re in two.
Send your footage
Drop a link to your raw footage and any audio you want used. Dropbox, Drive, or WeTransfer. Nothing to install, no upload to babysit.
Set the brief
Tell us the platform, the audience, and which accounts you want to feed. Point us at five of your own posts that performed.
We build
We find the moments, cut them vertical, sync them to your track, and write the captions in your voice.
You post
Files land in your inbox with a posting plan. Review them, pick your hooks, post on your own schedule. Nothing publishes without you.
Intake
What we need from you
A complete brief is the difference between a drop that lands and a drop that needs rebuilding. Only three of these are hard requirements.
Raw footage
RequiredA link to the unedited files. Concert footage, sessions, B roll, phone video. More is better than less.
Audio
Your callMastered audio gives the strongest result, and cuts synced to a master outperform camera audio every time. If you don't have masters, or you'd rather not send them, we'll work from live audio or a scratch take. Your call.
Five of your posts
RequiredLinks to five posts of yours that landed. This is how we learn your voice. What you have written counts for more than how you would describe it.
The brief
RequiredWho this is for, what you want made, and which accounts you want to feed. The sharper you get about the audience, the sharper the output.
Pay per drop
Pricing
You pay when you have something to promote. No monthly fee sitting on your card between releases.
Single Drop
One hour of footage becomes 3 to 5 post concepts, cut into 12 to 15 trial-ready reels.
- ▸3 to 5 post concepts, built from your footage
- ▸12 to 15 trial-ready reels across those concepts
- ▸Five on-screen hook options per concept
- ▸Captions written in your voice
- ▸A blank template with ideas for the next round
- ▸One round of revisions
Season
Most start hereFive drops at eight dollars each. Enough output to run a main account and two alternates.
- ▸Everything in Single Drop, five times over
- ▸Lyric syncs, line by line or word by word
- ▸Section chops that turn one song into many reels
- ▸Aesthetic-page campaigns on licensed stock footage
- ▸A posting plan across your main and alternate accounts
- ▸Two rounds of revisions per drop
Catalog
For artists sitting on a back catalog, and for managers running more than one act.
- ▸Full back catalog and archive footage
- ▸Multiple voice profiles across artists
- ▸Fan pages and aesthetic pages built and seeded
- ▸Named creative direction per campaign
- ▸Standing revision cycle
Prices are indicative while we run our first cohort. We confirm the number with you before any work starts, and you’re never charged automatically.
Questions
What artists ask
Not sure your footage is workable? Send it over and we’ll tell you straight, before you pay anything.
Ask Us DirectlyAnything unedited and reasonably lit. Concert footage, studio sessions, tour B roll, phone video from the road. We have worked from a 40 hour solo recording run and from a single sold out show. Volume helps, but one good hour is enough for a drop.
You still get a drop. Master-synced cuts do perform better and we'll say so, but plenty of working artists have tracks sitting unreleased, uncleared, or half finished. Send live audio, a scratch take, or a rough mix and we'll build from that. Whether your masters ever leave your drive is your call. It's never a condition of working with us.
A drop is 3 to 5 post concepts, and each concept ships as several usable cuts: a hook version, a clean version, lyric-synced versions, and section chops. That works out to 12 to 15 trial-ready reels, plus a blank template with the next round of ideas written out. They're built for testing. Post the ones that earn it.
Yes, and it's the part most artists can't pull off alone. Feeding a main account, an archive page, and a couple of niche pages is a full-time job at the volume the platforms now expect. We build for every lane and hand you a posting plan, so one shoot feeds four pages.
No. We hand you files and a plan. You review, you pick, you post. We'll never ask for your account logins, and nothing goes live without you pressing the button.
An editor cuts what you tell them to cut, once. We find the moments first, write the words around them in your voice, then hand you variants to test across several accounts. You end up with a whole set to try, built out of your own catalog.
You do. Your footage, your music, your finished files. We'll ask before showing any of it as an example of our work, and the answer can be no.
Tell us what missed and we'll rebuild it. Every tier includes revisions. Usually the concept lands and the format needs tuning, so revisions tend to be about pacing, text placement, and which section of the song to use.
Plan on a few days from a complete brief. Half-finished briefs are the main thing that slows a drop down, which is why the intake asks for your reference posts up front.
Start here
Send us an hour
of footage
Start with one drop. If nothing in it earns a post, you’ve lost one upload and nothing else.